Rounding a corner
from a gallery exhibition
Walking up a ramp
with no destination
Black tiled floor
Grey cement walls
Polished silver handrails
Blinking white floor lights
Triangular window
looking down on fern palms
in a secret garden below
No paintings or people visible
in the crowded museum
Silence
only my own footsteps
and the distant click clack
of someone’s high heels

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Author: Pamela Collett
I was born and raised in Kansas City, Missouri. I have a B.A. from Stanford University and a M.Sc. from Cornell University. I have lived and worked in San Francisco, Berkeley and Oakland, California as well as in Washington, DC. Outside the United States, I lived and worked in Venezuela, Pakistan, Afghanistan, China, Uganda, Somalia and Kenya. I currently live in Canberra, Australia.
I edited three books: Bold Plum: with the Guerillas in China's War against Japan by Hsiao Li Lindsay; Peace and Milk: Scenes of Northern Somalia by James Lindsay and Fatima Jibrell; and Solo vale si piensas rápido by Mehedy Lopez, a book of poetry in Spanish. In 2016, I published a book of my poetry and drawings, Silence Spoken.
I have taught communication skills, English as a second language, and English for journalists (in Beijing, China) at university and secondary school levels. I was a features writer for the Daily Journal, (Caracas, Venezuela), and The Chronicle of Higher Education. I am a member of the ACT (Australian Capital Territory) Writers Centre, active in a writers’ group and a contributor to poetry readings, That Poetry Thing, in Canberra, Australia.
View all posts by Pamela Collett
Hi again, Pamela. The Ramp captures a moment beautifully. It manages to be very still and silent, which is what I imagined you were trying to recreate. I was trying to fit it into your search for your father and family, but was that your intention? Margie
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A moments captured. Perfect opportunity for the poetic form.
Abigail.
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