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Words or Paintings?

Which would you choose to communicate your ideas and emotions – words or paintings? As a blogger perhaps you think it should be words?

But, words can’t reach our inner most selves as paintings can.   Nor can we easily express in words how or why a particular painting affects us.

Art should not be judged from an aesthetic viewpoint. No, Kupka insisted, fighting for breath (he was dying). It was nothing more nor less than an attempt to communicate.

– Quote about Franz Kupka from The Red Highway                         by  Nicolas Rothwell, p.63.

It’s not “either/or” words or paintings… We need both in our lives. Art inspires and elevates. Art brings people together.

On Saturday in our back yard, we celebrated both – painting and books with our neighbours and friends!

What a splendid way to reach out to others and share beauty! Art is part of life and community. Art is not just for exhibition in galleries and museums.

Through it (art) people communicate to one another their feelings, their most intimate and infinitely varied and poignant thoughts.                                                                                                             -From Dialectical Materialism, Philosophy and Art,                                  by Alexander Spirkin

 

Have you ever held a neighbourhood art show?

Have you ever attended a neighbourhood art show?

Please comment on your ideas about art, communication and community.

Thanks!

 

 

 

 

 

History Through Fiction: The Making of Martin Sparrow (part two)

I am continuing with my response to the novel The Making of Martin Sparrow and learning about history through fiction. Reading the book, I entered into the world of settlers on the Hawkesbury River in southeastern Australia at the time of the flood of 1806.

Colonies are built on dreams, but some dreams threaten ruin Martin Sparrow Cover

This was the single sentence on the first page of The Making of Martin Sparrow after the title page.

Women were only minor characters in The Making of Martin Sparrow. Evil and not so evil men dominated. Many settler men met their end through the harsh environment – wild boars, wild rivers, a prick from a platypus, or disease. Others through retribution by indigenous men, who selectively killed settlers who had massacred their people.

The ending of The Making of Martin Sparrow didn’t quite satisfy. It was a little too neat. Yet the book had to end sometime. I had to leave that time and place and return to the present day.

Here are a few samples of the beauty of the writing in The Making of Martin Sparrow about a harsh violent history of the forcible settling of Australia by convicts and their keepers.

It was almost sunset and the clouds to the north sat flat, as if on a straight edge, and they were lit bright pink on the underside and the sky beneath was the palest petal blue. (p. 297)

I’ve seen those clouds and that sky.

Or they might not find them at all and instead find Dan’s musket wedged in a tree, draped in the deathly grey of flood-borne shrubbery, the floodwaters a master of random arrangement. (p. 404)

I’ve seen shrubs, trees, stranded, washed up along the banks by rising rivers after they’ve subsided.

Just one thing can shape your whole life. (p. 423) Quiet insights in the dialogue, especially from the character Cuff, are sprinkled throughout the book. Somehow they become believable, although the reader may doubt the character’s ability to reflect.

The author, historian Peter Cochrane comments in the Afterword

The Making of Martin Sparrow is a work of fiction in which the documented past provides points of departure into an imagined world. (p. 447)

Can the reader find historical truth through fiction?

Are novels a more powerful and accessible way to learn about history and other cultures?

What do you think?

Your comments are most welcome.  Thank you.

 

Harshly Boring: The Making of Martin Sparrow

My last post was about learning history through novels. Here’s my response to a novel by an Australian historian, Peter Cochrane.

I heard a review of The Making of Martin Sparrow, on ABC Radio National here in Australia. I put in a request online at the ACT (Australian Capital Territory) public library.

That’s how I came to having a copy of The Making of Martin Sparrow. I was already reading several other books so I put it on top of a pile. A few days later, I received a reminder from the library by email. The book was due in three days!

I read The Making of Martin Sparrow as an emotional journey. When the first page had a long list of characters, I was skeptical.  I skipped over that page and started reading. Tentatively. I kept on, although the main character, Martin Sparrow, was not particularly likeable.

At one point I thought the story was harshly boring and was ready to put it aside. The writing, the odd turn of phrase, the originality kept me going, even when the narrative seemed tedious.

My perseverance was rewarded. I entered into the world of settlers on the Hawkesbury River in southeastern Australia at the time of the flood of 1806. A world dominated by male violence, drinking, whoring – not topics that usually hold my interest. There was something more shining through… patches of sunlight in a forbidding, very dark sky.

My emotional journey through The Making of Martin Sparrow continues in the next blog.

Have you read this book

What are your reactions?